- Learn to say 'no' to the good so you can say 'yes' to the best. John C. Maxwell
Go to Mingei International Museum
Established in 1978, Mingei International Museum collects, conserves and exhibits arts of daily use – by anonymous craftsmen of ancient times, from traditional cultures of past and present and by historical and contemporary designers. The Museum’s Founder, Martha Longenecker, was a professor of art at San Diego State University who studied the art of pottery-making in Japan. As an artist craftsman, she became acquainted with and learned from the founders and leaders of the Mingei Association of Japan, who inspired her to carry the vision of mingei to the U.S.A.
Mingei International Museum’s inaugural exhibition was DOLLS AND FOLK TOYS OF THE WORLD. Since then, Mingei has shared over 183 exhibitions covering a diverse range of cultures, themes, and media. These exhibitions have featured both unknown craftspeople and renowned artists, and everything from the tiniest Pre-Columbian bead to large-scale sculptures by Niki de Saint Phalle. In August 1996, Mingei International Museum relocated to its current 41,000-square-foot facility on the Plaza de Panama in Balboa Park.
The Meaning of “Mingei” The word mingei, meaning art of the people, was coined by a revered Japanese philosopher named Sōetsu Yanagi. As a young man living in Korea in the early 1920s, he was taken with the timeless beauty of Yi dynasty (1392-1910) pottery—a simple, rustic type made in numberless quantities over the centuries. Used for everything from tea cups to kimchi jars, the pottery was everywhere and taken for granted.
Yanagi, however, saw Yi dynasty pottery with fresh eyes, and he considered it among the most beautiful of manmade objects—equal to renowned scroll paintings of the East and paintings and sculptures of the West. His writings, lectures and conversations opened the eyes of Koreans to their long-dismissed and anonymous artistic legacy. In 1921, Yanagi opened a folk museum in a small building in the old palace in Seoul, filled with Korean pots and other crafts. It was the first museum of mingei in the world.
Returning to his homeland, Yanagi began to collect Japanese crafts, believing that his own people, too, needed to discover and preserve anonymous objects of truth and beauty that they had lived with and used over the ages. In 1936, with potters Kanjiro Kawai and Shoji Hamada, he opened the first Japan Folk Craft Museum (Nihon Mingei-kan). It stands for arts of the people returned to the people.
Yanagi explains the concept of mingei in his seminal work, The Unknown Craftsman:
“It is my belief that while the high level of culture of any country can be found in its fine arts, it is also vital that we should be able to examine and enjoy the proofs of the culture of the great mass of the people, which we call folk art. The former are made by a few for the few, but the latter, made by the many for many, are a truer test. The quality of the life of the people of that country as a whole can best be judged by the folkcrafts.”
– The Unknown Craftsman – A Japanese Insight into Beauty, Sōetsu Yanagi, Kodansha International, New York, 1989